David
Sedaris’ collection of essays entitled Dress
Your Family in Corduroy and Denim is a hilarious assortment of
autobiographical short stories from important moments in Sedaris’ life. These essays cover themes such as family
life, sexuality, and alienation. However, one of the most important aspects of
Sedaris’ works is the emphasis he places on individual experience and how
seemingly unconnected moments in one’s life are actually quite intertwined and
migrate to form a distinct world view.
Throughout the
semester we’ve been discussing the Hobbesian and Platonic theories of
superiority humor in which we laugh at others simply out of malice. In Sedaris’
story, “The Change in Me,” the ending arrives with Sedaris laughing at a hippie
he imagines sitting outside of a store, but the laughter is not malicious in
the slightest. Throughout the story, Sedaris narrates his childhood desire to
become a hippie like the ones he sees begging outside of a convenience store.
He too starts begging to save up for a faux-suede vest that he believes will
make him look “cool” like them. To his dismay, the girl outside of the store
makes fun of his vest and he remarks that he wished he could go into some sort
of hibernation where he would sleep for years and finally come out no longer
desiring to be like them. He ends his story imagining that he leaves the store
to see the same girl, “she’d ask you for a quarter, and you’d laugh, not
cruelly, but politely, softly, as if she were telling a joke you had already
heard.” (Sedaris 86). The source of the laughter is in personal experience
rather than superiority. Sedaris laughs at the girl because he made the same
foolish mistakes himself and reminiscing on his time as a “hippie” is pleasant.
It takes an experience that was uncomfortable for him as child and turns it
into something humorous as an adult. Sedaris seems to believe that with time
and wisdom anything can become funny.
Sedaris
also makes an interesting point later on regarding individual experience. In
“The End of the Affair,” Sedaris goes to see a romance movie with Hugh. He thinks
that romance is a dangerous topic because most people have experienced it at
some point and the movie becomes all too relatable. He writes, “The theme is
universal and encourages the viewer to make a number of unhealthy comparisons,
ultimately raising the question ‘Why can’t our
lives be like that?’ It’s a box best left unopened, and its avoidance explains
the continued popularity of vampire epics and martial-arts extravaganzas.”
(138). Sedaris believes that the mass audience likes to watch movies that are
un-relatable because they do not require one examine his or her own life. More
realistic movies such as romances however, force the audience to assume that
their own lives are inadequate. Sedaris’ entire collection of essays is built
around destroying that stigma. His short stories set out to show that the
average life is meaningful and is full of moments that shape who we become. All
it takes to find these moments is to look back into the past and see how they
have affected us. Sedaris is literally narrating that action to his readers as
he compiles his autobiographical stories. Besides showing us that our lives are
important and not only can, but will, have an impact on others around us,
Sedaris also shows us that life can be quite hysterical. Whether it’s your
mother locking you out in the snow, eating all of your Halloween candy so you
don’t have to share it, or suffering through a movie with someone blubbering
next to you, Sedaris proves that life is full of light-hearted and humorous
moments. All it takes to see this is the right attitude.
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